|
 |
Listings |
 |
Aragon, Louis
The whole fauna of human fantasies, their marine vegetation, drifts and luxuriates in the dimly lit zones of human activity, as though plaiting thick tresses of darkness. Here, too, appear the lighthouses of the mind, with their outward resemblance to less pure symbols. The gateway to mystery swings open at the touch of human weakness and we have entered the realms of darkness. One false step, one slurred syllable together reveal a man's thoughts.
|
Aragon, Louis
The whole fauna of human fantasies, their marine vegetation, drifts and luxuriates in the dimly lit zones of human activity, as though plaiting thick tresses of darkness. Here, too, appear the lighthouses of the mind, with their outward resemblance to less pure symbols. The gateway to mystery swings open at the touch of human weakness and we have entered the realms of darkness. One false step, one slurred syllable together reveal a man's thoughts.
|
Aragon, Louis
The whole fauna of human fantasies, their marine vegetation, drifts and luxuriates in the dimly lit zones of human activity, as though plaiting thick tresses of darkness. Here, too, appear the lighthouses of the mind, with their outward resemblance to less pure symbols. The gateway to mystery swings open at the touch of human weakness and we have entered the realms of darkness. One false step, one slurred syllable together reveal a man's thoughts.
|
Aragon, Louis
The whole fauna of human fantasies, their marine vegetation, drifts and luxuriates in the dimly lit zones of human activity, as though plaiting thick tresses of darkness. Here, too, appear the lighthouses of the mind, with their outward resemblance to less pure symbols. The gateway to mystery swings open at the touch of human weakness and we have entered the realms of darkness. One false step, one slurred syllable together reveal a man's thoughts.
|
Baudelaire, Charles
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
|
Baudelaire, Charles
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
|
Baudelaire, Charles
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
|
Baudelaire, Charles
I consider it useless and tedious to represent what exists, because nothing that exists satisfies me. Nature is ugly, and I prefer the monsters of my fancy to what is positively trivial.
|
Brand, Stewart
When a fantasy turns you on, you're obligated to God and nature to start doing it right away.
|
Brand, Stewart
When a fantasy turns you on, you're obligated to God and nature to start doing it right away.
|
Brand, Stewart
When a fantasy turns you on, you're obligated to God and nature to start doing it right away.
|
Brand, Stewart
When a fantasy turns you on, you're obligated to God and nature to start doing it right away.
|
Byron, Lord
The mind can make substance, and people planets of its own with beings brighter than have been, and give a breath to forms which can outlive all flesh.
|
Byron, Lord
The mind can make substance, and people planets of its own with beings brighter than have been, and give a breath to forms which can outlive all flesh.
|
Byron, Lord
The mind can make substance, and people planets of its own with beings brighter than have been, and give a breath to forms which can outlive all flesh.
|
Byron, Lord
The mind can make substance, and people planets of its own with beings brighter than have been, and give a breath to forms which can outlive all flesh.
|
Harrison, Barbara Grizzuti
Fantasies are more than substitutes for unpleasant reality; they are also dress rehearsals, plans. All acts performed in the world begin in the imagination.
|
Harrison, Barbara Grizzuti
Fantasies are more than substitutes for unpleasant reality; they are also dress rehearsals, plans. All acts performed in the world begin in the imagination.
|
Harrison, Barbara Grizzuti
Fantasies are more than substitutes for unpleasant reality; they are also dress rehearsals, plans. All acts performed in the world begin in the imagination.
|
Harrison, Barbara Grizzuti
Fantasies are more than substitutes for unpleasant reality; they are also dress rehearsals, plans. All acts performed in the world begin in the imagination.
|
|
|
|
|
| |
|
Browse Categories |
|
|
|
