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Editing and Editors
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Addison, Joseph
Rides in the whirlwind and directs the storm.
Addison, Joseph
Rides in the whirlwind and directs the storm.
Blishen, Edward
The work was like peeling an onion. The outer skin came off with difficulty... but in no time you'd be down to its innards, tears streaming from your eyes as more and more beautiful reductions became possible.
Blishen, Edward
The work was like peeling an onion. The outer skin came off with difficulty... but in no time you'd be down to its innards, tears streaming from your eyes as more and more beautiful reductions became possible.
Cather, Willa
Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole -- so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page.
Cather, Willa
Art, it seems to me, should simplify finding what conventions of form and what detail one can do without and yet preserve the spirit of the whole -- so that all that one has suppressed and cut away is there to the reader's consciousness as much as if it were in type on the page.
Chandler, Raymond
Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar-room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.
Chandler, Raymond
Would you convey my compliments to the purist who reads your proofs and tell him or her that I write in a sort of broken-down patois which is something like the way a Swiss waiter talks, and that when I split an infinitive, God damn it, I split it so it will stay split, and when I interrupt the velvety smoothness of my more or less literate syntax with a few sudden words of bar-room vernacular, that is done with the eyes wide open and the mind relaxed but attentive.
Chopin, Kate
I trust it will not be giving away professional secrets to say that many readers would be surprised, perhaps shocked, at the questions which some newspaper editors will put to a defenseless woman under the guise of flattery.
Chopin, Kate
I trust it will not be giving away professional secrets to say that many readers would be surprised, perhaps shocked, at the questions which some newspaper editors will put to a defenseless woman under the guise of flattery.
Cosby, Philip
When in doubt, delete it.
Cosby, Philip
When in doubt, delete it.
Dickinson, Emily
Will you tell me my fault, frankly as to yourself, for I had rather wince, than die. Men do not call the surgeon to commend the bone, but to set it, Sir.
Dickinson, Emily
Will you tell me my fault, frankly as to yourself, for I had rather wince, than die. Men do not call the surgeon to commend the bone, but to set it, Sir.
Eliot, T. S.
An editor should tell the author his writing is better than it is. Not a lot better, a little better.
Eliot, T. S.
I suppose some editors are failed writers; but so are most writers.
Eliot, T. S.
An editor should tell the author his writing is better than it is. Not a lot better, a little better.
Eliot, T. S.
I suppose some editors are failed writers; but so are most writers.
James, Henry
In art economy is always beauty.
James, Henry
In art economy is always beauty.
 
 
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